HOLLYWOOD ( and all that )

hanging out and hanging on in life and the movies (listening to great music)

Posted on February 17, 2014

A superb BBC documentary with rare archive photography and great interviews.

yesfragile

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posted on February 17, 2014
by hollywoodandallthat
filed under Documentary, Genesis, King Crimson, Music, Pop, Popular Culture, Prog Rock, Progressive Rock, Rock
tagged as 60s Rock, 70s Rock, British Prog Rock, Genesis, King Crimson, Mike Oldfield, Music, Pop, Popular Culture, Procul Harum, Prog Rock, Progressive Rock, Rock, Yes

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Home
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CONTENTS
Film Work: “Clinic E”
Radio Work
Songs
Movies
Music

PREVIOUS POSTS

A MUSICAL METAMORPHOSIS by ORLANDO DI LASSO
THE MAKING OF DAVID BOWIE’S “HEROES”
A SHORT HISTORY OF THE DOCTOR WHO THEME
THE “OTHER” TERMINATOR ( MARVIN THE PARANOID ANDROID )
BRANDO ON SET OF “APOCALYPSE NOW” ( Photos by MARY ELLEN MARK )
JOHN BOORMAN IN HOLLYWOOD ( “QUEEN AND COUNTRY” AT THE AMERICAN CINEMATHEQUE )
BEETHOVEN TRANSFIGURED ( THE NEUEN EFFECT )
EINSTEIN’S MONSTERS ( Martin Amis, the Bomb, and Thinking the Unthinkable )
JAMES EARL JONES REMEMBERS ( Filming “THE COMEDIANS” with Richard Burton, Elizabeth Taylor, and Alec Guinness )
JAMES BOND on the SOUTH BANK SHOW
THEMES FOR SECRET AGENTS ( The Phase 4 Stereo Effect Part 1: James Bond, Roland Shaw, et al. )
The Wit and Wisdom of Nora Ephron
HAPPY 450th, BILL! ( How I Celebrated Shakespeare’s Birthday with Sir Ian McKellen )
THE MAN IN THE MACHINE ( Kraftwerk Live at Disney Hall )
IN A HOLLYWOOD STATE OF MIND
( HOW MANY MILES TO ) BABYLON?
The Story of British Prog Rock
The Making of Peter Gabriel’s “Security”
Composing “E.T.” ( Happy 82nd Birthday, John Williams )
TRIPPING THE SOUND FANTASTIC ( Dramatizing “THE RIME OF THE ANCIENT MARINER” for Radio )
THE RIME OF THE ANCIENT MARINER ( Full Dramatization )
“CLINIC E” ( A Dark Comedy about Getting The Test )
“We’ll Meet Again” ( Celebrating 50 Years of “Dr. Strangelove” )
The Wit and Wisdom of Sir Alan Parker
THE MYSTERY OF THE MISSING MUSIC CUE ( or How “An American Werewolf in London” Lost Its Bite )
NAPOLEON REDUX ( The Emperor of Films Returns )
A Little Birthday Gilliam ( without so much rat in it )
WHEN MARTIANS ROAMED THE EARTH ( THE STORY BEHIND “THE WAR OF THE WORLDS” )
FILMMAKERS on FILMMAKERS ( ALAN PARKER on KEVIN BROWNLOW )
Celebrating Rita Hayworth
LILLIAN GISH in “The Wind”
Drawn to Greatness ( Richard Williams at the Academy )
HOLLYWOOD by STEICHEN
How to draw Bugs and a Certain Coyote
THE GARBO EFFECT
Terry Gilliam on the Art of Animation
Paul Thomas Anderson on Max Ophuls
Kubrick’s Favorite Movies ( Happy 85th Stanley! )
The Original British Bad Boy: Terence Stamp at 75
Happy 75th Miss. Natalie
INTERMISSION: 60s-STYLE
50 years of Fellini’s 8 1/2
THE GREATEST FILM EVER MADE? ( “NAPOLEON” on BASTILLE DAY )
HAPPY 130th BIRTHDAY, FRANZ! ( Kafka meets Welles in “The Trial” )
KUBRICK at LACMA
Bert shoots Marilyn… (and Marilyn shoots Bert)
Audrey by Bert
MY DAD ON EVEREST AND BEYOND ( OF GOD AND SCIENCE )
Watching every Hitchcock cameo….
RAY HARRYHAUSEN ( ANIMATING THE IMAGINATION )

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Mt. Everest
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Film Work: “Clinic E”
Radio Work
And All That

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March 2016 (1)
January 2016 (1)
December 2015 (1)
July 2015 (1)
May 2015 (1)
February 2015 (1)
November 2014 (1)
August 2014 (1)
July 2014 (1)
June 2014 (1)
May 2014 (2)
April 2014 (1)
March 2014 (2)
February 2014 (6)
January 2014 (2)
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November 2013 (2)
October 2013 (6)
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August 2013 (2)
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IN A HOLLYWOOD STATE OF MIND
THE RIME OF THE ANCIENT MARINER ( Full Dramatization )
STILL 'FATALE' AFTER ALL THESE YEARS ( "The Last Picture Show" Returns )
The Making of Peter Gabriel's "Security"
THE MYSTERY OF THE MISSING MUSIC CUE ( or How "An American Werewolf in London" Lost Its Bite )

Visions of Hollywood ( and all that )

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THEMES FOR SECRET AGENTS (Roland Shaw and his Orchestra/Phase 4 Stereo)

Mission Impossible

The Ipcress File

Wednesday's Child

The Spy Who Came in from the Cold

Theme from The Man From U.N.C.L.E.

Let the Love Come Through

The Look of Love

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The Making of Peter Gabriel’s “Security”

( HOW MANY MILES TO ) BABYLON?

Inspired by the work of SAUL BASS, ART GOODMAN, and DAVE NAGATA. Hitchcock typeface by MATT TERICH.
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