( HOW MANY MILES TO ) BABYLON?

Grace Kelly b&w

BAB-Y-LON (noun): a city devoted to materialism and sensual pleasure (Origin: ancient city of Babylonia). (Source: Merriam-Webster Dictionary)

LA LA LAND (noun): The term either refers to Hollywood, Los Angeles or a state of mind synonymous with Hollywood that is out of touch with reality, focusing on dreams, fantasies or frivolous endeavors. (Source: Urban Dictionary)

“One word frees us of all the weight and pain of life: that word is love.” — Sophocles

What do you say to the woman you love

Up there on the silver screen?

Where do you go at the end of the show

With nothing to hold but a dream?

What would you say to the golden girl?

How would you play the scene?

Oh, how would you play the scene?

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Did your dreams come true as the years rolled by

Young king of the silver screen?

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How does it feel to be tied and bound

To a fading movie queen?

What can you say at the end of the day?

How will you play the scene?

Oh, how will you play the scene?

Sunset Boulevard on couch

How many kisses crossed your lips

Before your lips met mine?

How many lovers held your hand

Before your hand touched mine?

How many hopes, how many fears?

How many hearts, how many tears?

How many miles to Babylon?

sunset boulevard dancing

Why do you gaze at the silver screen

Pretty girl in the second row?

mia_farrow_purple_rose_of_cairo

How would you act if the man came down

What do you need to know?

It’s cold out there in the neon nights

How far do you aim to go?

How far do you aim to go?

purple-rose kissing

How many kisses crossed your lips

Before your lips met mine?

How many lovers held your hand

Before your hand touched mine?

How many hopes, how many fears?

How many hearts, how many tears?

How many miles to Babylon?

Grace Kelly silhouette in LIFE

Vocal by Mary Carewe.

Song and Video by Mark Ward.

THE GARBO EFFECT

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Today would have been Greta Garbo’s 108th birthday. She is still considered one of the greatest sirens of the silver screen, a truly iconic figure embodying all the mystery and allure that the camera can bestow on the feminine form.

Garbo The Temptress

Want proof? Look no further than the following.

The year was 1926.

Filming a pivotal scene for Flesh and the Devil, the story of an illicit romance á la Anna Karenina, director Clarence Brown had little idea of how life was about to mirror art.

It was the scene where the leading lady, Greta Garbo, was to meet her great love, John Gilbert, for the first time. In real life as well as on screen.

Flesh and the Devil station

It’s the scene in the train station (alas, not available in clip form). When you watch it, you can almost believe you are watching the actors falling in love at the same time as their characters do. According to Gilbert’s daughter, Leatrice Gilbert Fountain, whom I met at a screening of the film in New York, that is exactly what happened.

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Director Clarence Brown later remarked upon his leading lady:  “She had something behind the eyes that told the whole story. On the screen Garbo multiplied the effect of the scene I had taken. It was something she had that nobody else ever had.”

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Creating Garbo’s deliriously sensual aura was the work of cinematographer William Daniels, a veteran collaborator of maverick director Erich von Stroheim. Using heavy gauzes and filters over the camera lens, he wraps the lovers in a shimmering passion and eroticism.

Flesh and the Devil (1926)

Listen to how Carl Davis’s score enhances the effect with its allusions to Richard Strauss, especially the Moonlight music from Capriccio.

You’re about to watch the climactic scene where the lovers kiss for the first time. It begins at a ball. Gilbert can think only of the woman he met at the train station. Will he see her again?

They move into the garden…..

Gilbert and Garbo were to marry. The story goes that, on his wedding day — a grand, Hollywood affair — Garbo failed to show. Gilbert got drunk and took it out on his boss, Louis B. Mayer. Mayer swore he would destroy Gilbert’s career. Gilbert never made the transition to talkies, ostensibly because of his reedy voice. But maybe the apocryphal version of how events unfolded holds the greater truth: could any man ever survive loving Garbo? (Or pissing off Louis B.?)

Garbo insisted that Gilbert co-star with her in Queen Christina (1933)

Even though Gilbert’s career was in decline, Garbo insisted that he co-star with her in Queen Christina (1933)

While Gilbert spiraled downwards, Garbo continued to ascend higher into the Hollywood heavens. With the arrival of talkies her accented voice beguiled as much as her looks, and she later revealed a talent for comedy in Lubitsch’s sublime Ninotchka (1939). Audiences were so accustomed to Garbo smoldering rather than smirking that the studio used her new-found levity as a log-line on their posters.

ninotchka

If you’re ever in need of a cinematic pick-me-up, look no further.

Garbo and Lion

Even MGM’s Leo the Lion seems cowed by the Legend that was Garbo

Forget Helen of Troy.  It was Garbo who not only launched a thousand and more ships of romantic dreams, but then dashed them upon the rocks of her early retirement and retreat from the world. She was, finally, alone.

Greta-Garbo-on-her-yacht-1929

But in the garden of film immortals she awaits her lovers still….

Garbo reclining