MY DAD, THE YETI, AND ME ( EVEREST 1951 )

Yeti sketchOne of the perks of having my dad for a dad was the strain of unusual and exotic experiences that ran through my life as a result of being related to a Himalayan explorer, one of the team that first climbed Mt. Everest in 1953.  For example, aged 6, having tea with the Queen of Bhutan and her family in a Kensington apartment, while a bodyguard named Rinzi, wielding a substantial saber and sidearm, stood guard nearby.  (He was forever memorialized when I gave my childhood spaniel the same name: they shared a disposition of attentive watchfulness and deep brown eyes.  And how many other London kids could say their faithful hound was named after a royal Bhutanese bodyguard?  Thanks, Dad.)

When friends came down to the country for the weekend, we’d haul out my dad’s tent and camping gear.  “What’s that smell?” my chums would ask, noses pinched.

“Yak!” I would respond with glee.  God knows what ingredients actually created this odor.  This stuff had been perched for a winter at 19,000 feet near Everest.  Or was it a leftover from those epic treks through Bhutan, going to places no Westerner had ever been, venturing into terrain more Shangri-la than Shangri-la?  No matter.  The smell, though pungent, evoked Adventure with a capital ‘A’.

Hillary 1951

But the story which I got by far the most mileage from, and still do, is of the time my father encountered serious evidence of that legendary hobo of the Himalayas: the yeti, or abominable snowman.

“Oh come on, you’re pulling my leg,” any companion whose ear I am bending with this tale will protest.

I whisk out my phone and google ‘yeti footprints’.  “There are photographs to prove it,” I declare, almost offended by the lack of faith.

Those photos?  Those are your dad’s photos?”

I nod my head, “Yup, next to the footprint that’s his boot”.

yeti footprint w: boot

“Cool!”

Very.

Thanks again, Dad.

This is what happened.

Everest view w: lake 53 Gregory

Fall 1951, and the Everest Reconnaissance party had been making its way laboriously through the Khumbu icefall, tricky and dangerous work, trying to reach the Western Cwm.  From there they could better see where a possible route to the summit may lie.  My father writes in ‘Everest: One Thousand Years of Exploration’: “Towers of fragile ice fell without warning and crevasses continually opened and closed.  The icefall had become an immense, unstable ruin, as though an earthquake had shaken the entire glacier.”

Ice Pinnacles Khumbu glacier

Various routes through the upper reaches of the icefall were attempted, then abandoned.  Finally, a few days later, they broke through into the Western Cwm, only to be confronted by an immensely wide and deep crevasse which barred the entrance to the level valley of deep snow beyond.

Everest5

“I started down one or two places where we thought it might just be possible to descend to the bottom of the snow-choked crevasses many feet below; but even if we could have reached these ‘bridges’, they might have collapsed, or we might have found that the near-vertical ice on the far side needed artificial climbing and the use of our small stock of suitable hardware….

Everest icefall 1951

“Eventually we gave up.  I felt very frustrated by this decision, for here was a good piece of technical climbing which, as I was getting fitter, I would have liked to try…. But, as Bill Murray put it: ‘We had climbed up and we had climbed down the impossible!  Gainsaying the pundits we had found a route up Everest.  This route would go.’”

The main work done, the team split up into different groups to explore some of the surrounding country.  My father, together with Eric Shipton and Sherpa Sen Tensing set off towards an unknown peak, “a glorious spire of pale pink granite, capped by snow.”

Menlungtse

They named it ‘Menlungtse’, “after the stream that meandered through green meadows around its foot – a vast amphitheatre of pastureland glacier.

Menlung La

“For our crossing of the Menlung La, we were traveling together, unroped, at about 16-17,000 ft.  It was at about midday that we came across some tracks on the snow of the glacier.  Sen Tensing had no doubt in his mind as to what they were – yeti tracks.  Questioned closely, he was quite adamant that he had seen similar tracks in Tibet and other parts of the Himalaya.  Here there seemed to be two distinct sorts of track.  One was well-defined in that individual prints had recognizable features such as toes; a second group was less well defined, with few if any individual features.

“The more interesting were the well-defined tracks, most of which were on a thin covering of snow over hard glacier snow-ice.  Many, but not all, of the imprints were clear-cut, and there were a great many of them.”

They paused, chose one especially clear footprint, and took photos.

yeti footprint w: iceaxe 2

“These distinct tracks went down the glacier and we followed them for about half an hour before they turned off into a side moraine; we continued down the valley.  The tracks went straight down the glacier, which was almost level but with some very narrow and shallow crevasses, perhaps about a foot or less wide.  Where those crevasses had been crossed by a line of prints, it seemed as if a ‘claw’ had protruded beyond the imprint of each of the toes.

“About 48 hours later, Bourdillon and Murray followed the line of the yeti tracks further down the glacier, and both men noted in their diaries that, though deformed by wind and sun, the tracks took an excellent line down the glacier.”

Clearly whatever creature had made the tracks was every bit as good a navigator of high mountainous terrain as British climbers!

Everest climbers 1951

When released to the public, the photos, naturally, caused a sensation.  They remain the one clear piece of photographic evidence for the yeti that is not easily explained away.  Forever after, my father was plagued with accusations that he and Shipton had somehow “made up” the footprints as a practical joke, a possibility belied by the independent corroboration by the other two climbers.

Lacking any other definitive evidence for the yeti, my father’s own best theory for the cause of the footprints was a human: “Though neither Shipton nor I realized it at the time, the inhabitants of the Himalaya and Tibet can and do walk in the snow for long periods in bare feet without frostbite, and I was later to see this also in Bhutan and Tibet… “

He wrote papers on the subject for the Alpine Journal and Wilderness and Environmental Medicine, detailing a number of conditions that could result in enlarged toes and even deformities of the whole foot.

“The ‘claw marks’ observed in the Menlung prints could be explained by the presence of Onychogriffosis or ram’s horn nail…

The Silver Hut pilgrim: eating a pipette (left), and showing his bare feet.

The Silver Hut pilgrim: eating a pipette (left), and showing his bare feet.

In January 1961, during the Silver Hut expedition in the Everest region, a Nepalese pilgrim who normally lived at 6,000 ft. visited our research sites and lived for fourteen days at 15,300 ft. and above.  Throughout this period he wore neither shoes nor gloves and walked in the snow and on rocks in bare feet with no evidence of frostbite.  Moreover, he slept outside with no shelter, at measured temperatures of minus 13ºC, and managed to avoid hypothermia by controlled light shivering.”

Silver Hut 1

The Silver Hut

What do I think?  “There are more things in heaven and earth…”  A few years ago an ABC News team was in the Everest region and came across yeti footprints.  They were on the same glacier where my father and Eric Shipton had been in 1951.

Back on Everest, more drama was to follow.  After a few days my father and his companions realized they had strayed into Chinese-occupied Tibet, a dangerous situation that could end up provoking an international diplomatic incident if they were discovered.  It could imperil the whole Everest adventure.  They decided to make a run for it at night, along the banks of the river that raged through the Rongshar gorge.  This was the stuff of the adventure stories and movies my dad lapped up as a kid, but it was all somewhat more alarming when you found yourself actually in one for real.

Rongshar gorge

The Rongshar gorge

“The thunder of the torrent beside the path reverberated against the canyon walls, drowning the noise of our footsteps as we passed quickly through Topte village, hoping that the Tibetan mastiffs, let off their chains at night, would not hear or smell us.  In the dark we stumbled over roots and rocks – in places a tree ladder had to be climbed, and in one fearsome place the path was only a few branches wide, balanced on a cliff face thirty feet above the boiling river and held onto cracks in the rock by small twigs.

“At about 4am our ‘smuggling’ sherpas reckoned we were past the frontier and we stopped and slept at the side of the path.  An hour later the sun came up and we were surprised by a group of six wild-looking Tibetans with long pigtails, armed with swords and muzzle-loaders with antelope-horn rests, who erupted into the scene with much shouting.  We could not escape since a vertical rock cliff of over 2,000 ft. towered behind us, and the boiling Rongshar river was only a few feet away.  Immediately a noisy and furious argument started, with much gesticulating and shouting.  Angtharkay (the head sherpa), all of five feet tall, seemed incandescent with fury.  As the whole argument was conducted in Tibetan, we had no idea what it was about.

Angtharkay (c.) with Shipton (r.)

Angtharkay (c.) with Shipton (r.)

“After ten minutes of this Angtharkay came over to us and suggested that we four Europeans should retire a suitable distance away while he and the other Sherpas sort things out.  After a further twenty minutes he returned with a broad grin.  ‘Everything is settled,’ he said, ‘but I am afraid it will cost you seven rupees to buy them off.’  Ten rupees had been demanded, but Angtharkay had considered this exorbitant.  The shouting had been the negotiations.”

All returned safely to England, and a new route to climb Everest had been found.

TIMES_EVEREST_RECON_IMG_7107

My father was never one to spontaneously break into tales of his exploits, but when I could coax him to speak about his various adventures (and Everest 1951 and ‘53 were only the first of many), his eyes would light up as, in his mind’s eye, he would step back into his climbing boots and walk into these stunning landscapes, unmapped regions of the earth that he was amongst the first westerners to explore.

Everest 1951

I recall, aged around 9 or 10, venturing with him into the Harrods bookstore and discovering for the first time the Tintin series of original graphic novels.  I scanned the brightly illustrated covers which promised exciting adventures underseas, in the jungle, on a crashed asteroid, and even in space.  Where to begin?

My father spoke: “Well, you’re going to have to pick one of them.”

Then my eye fell upon the only possible choice:

Tintin-In-Tibet cover

The cover scene was eerily similar to the one my father had lived through in real life.

I beamed as I handed the book to the cashier.

“My dad met a yeti once,” I proudly announced as she rang me up.

The cashier smiled indulgently at me and then my dad: “Oh really, how interesting.”

My father, with the smallest hint of a grin, handed over his money and said not a word.

Tintin in Tibet end

Footnote:  First serialized in 1958, Tintin in Tibet was Herge’s personal favorite among his many tales of the young reporter, and was no doubt influenced by my father’s well-publicized yeti photos, as well as by the author’s own fascination with the mysticism of Tibetan Buddhism.  He wrote it as a personal journey of redemption during a period of crisis, when he was assailed by recurring nightmares of “the beauty and cruelty of white”.  His Jungian psychoanalyst told him he needed to destroy “the white demon of purity” in his mind.  One imagines that some climbers who have come near to death as they pursue their passion for ascending into the highest realms of the earth are well acquainted with “the beauty and cruelty of white.”

This is Part 2 of my reminiscences about my father’s role in the First Ascent of Everest and 1951 Everest Reconnaissance.  You can read Part 1 – “Watching Dad on Everest” here, and Part 3 – “My Dad on Everest and Beyond”, here.

WATCHING DAD ON EVEREST ( THE FIRST ASCENT AND 1951 RECONNAISSANCE )

The successful 1953 expedition -- my father, tanned and dark haired with beard, is in the middle of the front standing row.

The successful 1953 expedition — my father, tanned and dark haired with beard, is in the middle of the front standing row.

It was on this day, the 29th May, sixty years ago, that two men – Edmund Hillary of New Zealand and Tenzing Norgay of Nepal – stepped onto the highest point on Planet Earth, five vertical miles above the palm trees and distant twinkling ocean waters I can currently see from my window.   And on that day my dad, along with the other members of the 1953 British Expedition that was endeavoring to claim those virgin snows for a fading empire, busied himself on the lower reaches of the mountain, anxiously awaiting news from the wind-swept slopes above .

When the news finally broke in England of the British expedition’s successful  ascent (and it was an ascent in every sense of the word: physically, logistically, aspirationally, scientifically and – perhaps most importantly to a country still struggling with the lingering privations of the War – spiritually), it was the morning of the young Queen’s Coronation.  The ultimate production number now had the ultimate curtain-raiser.  Can you imagine what was going through her head as she labored out of her royal jammies (hand-tailored by Royal Appointment) into her coronation robes?  “Top that, Victoria!”

Everest Times headline

Back on Everest, as the successful climbers returned to the lower camps, they were greeted with tea (for Tenzing, on the left), warm lemonade (for Hillary, on the right), and, I fervently want to believe, a plate of chocolate digestive biscuits (it’s a British thing).  They’d certainly earned it.

Tenzing Norgay and Edmund Hillary drink tea in the Western Cwm after their successful ascent of Mount Everest

And as you look at the film of the returning conquerors of the high, thin air, there you can see my father, smiling along with everybody else, all stoically clapping each other on the back with typical British restraint.  It’s one of those occasions when I marvel at my countrymen’s inclination towards emotional restraint in circumstances that would send Americans (and most nationalities, let’s be honest) into fevered paroxysms of celebration.  In fact, as my father wrote: “No member of the party was particularly elated….  Our first feelings in success were those of relief.”  Relief that no one had died in the attempt, and, perhaps, relief that no other country had nabbed the prize from under the noses of the British, who had always felt the mountain was theirs to claim (the Swiss had come within 800 ft. of the summit the year before).

Ward, Stobart, Band in tent

In the evocative documentary of the 1953 Ascent, The Conquest of Everest (which is also mildly – but understandably – jingoistic, and occasionally inaccurate), you can see dad laboring through the trickiest part of the climb — the icefall — fixing ropes and cutting foot-holds for the legions of sherpas and climbers who will follow, carrying supplies destined for the upper reaches of the mountain.

Into the icefall

The icefall is aptly named.  It’s as if a god of earlier mythology — a titan, perhaps, in the mood for mischief — had taken a series of high waterfalls and raging rapids, frozen and enlarged them, then put them on a slow-moving rubber conveyor-belt which will stop, stretch, then restart with a massive ping!, sending avalanches of snow and ice hurtling down through the canyons of vertical white and deep-frozen blue.  Hidden crevasses with hungry mouths and bottomless maws lurk beneath the sparkling surface, ready to swallow unwary interlopers.  The bottom of the icefall occasionally yields up the dismembered corpses of its hapless victims.

Crossing crevasse 53

The narrator sets the scene in those deliciously clipped BBC tones of the period, savoring every last ‘r’ of the script’s alliteration: “The ice is always on the move — crrrrracking, rrrrroarrrring, rrrrrumbling… Ward is fixing guide ropes….  This place has a name — the climbers called it ‘The Nutcracker’: no one knew if it was opening — or closing.”  Cut to an avalanche sweeping down the mountain.  When I first watched this footage aged around 8, I thought:  “My god, that’s my dad!!! ” and, even though he was sitting next to me: “He’s going to die!!”

in Khumbu icefall

Yup, these were our home movies and family snapshots.

Dad (r.) "relaxing" in the icefall

Dad (r.) “relaxing” in the icefall

But I am getting ahead of myself.  This story actually begins a few years earlier, in 1951, after the Chinese had invaded Tibet, cutting it off from the outside world.  It was through Tibet, which bordered Everest to the north, that every assault on the mountain had hitherto been made.  Nepal, to the South, was unknown territory: barely mapped or explored by Westerners.

My dad, then 25, was already a highly skilled and respected climber.  When it came to hanging on in life, he did it literally – and often – usually leading the routes he was climbing.

Michael Ward climbing

Well-versed in the history of Everest exploration he played a hunch and descended into the spectacularly disorganized archives in the basement of the Royal Geographical Society.  He rummaged around in drawers full of loose, un-filed materials, examining thousands of photos from earlier expeditions for clues as to what lay on the mountain’s southern side, until – in a true Indiana Jones moment – he found what he had only suspected might be there.  Out of an unmarked brown envelope tumbled secret photos of Everest taken by spy planes during the war, and (music swells, camera zooms in) a forgotten map, compiled from photos and a photogrammetric survey carried out in 1935.  A sketchy map, with plenty of empty space on it, but a map nevertheless.

The Milne-Hinks Map

The Milne-Hinks Map

First Flight over Everest, 1933

First Flight over Everest, 1933

It all added up to clear evidence of a possible route up Everest from the south, through Nepal.

He took his findings to the newly-formed Himalayan Committee, which was responsible for administering all expeditions to the region.  In bravura bureaucratic fashion, it immediately distinguished itself by pouring cold water on the whole idea.  Undeterred, he began organizing an expedition anyway.  He brought in Bill Murray, a pioneer of Scottish winter climbing, and therefore familiar with some of the more extreme weather conditions they could expect to find on Everest.

Michael Ward 1951

Michael Ward (left) and W.H. Murray at Namche Bazar, Everest Reconnaissance 1951.

Also onboard was Tom Bourdillon, a rocket scientist, and one of the best British climbers of his generation.  With the addition of Eric Shipton, an iconoclastic veteran of Everest, as expedition leader, the Himalayan Committee finally acceded, and The Times newspaper provided the necessary financial backing.

Further members of the team assembled as the expedition trekked in through the foothills of the Himalayas.  The sherpas were led by the legendary Angtharkay, described by Shipton as “absolutely steady in any crisis — outstandingly the best of all the sherpas I have known.”  Then, one day on the trail, as described by my father in Everest: One Thousand Years of Exploration: “two New Zealanders, Earle Riddiford and Edmund Hillary, came surging up the hill brandishing enormous Victorian-style ice-axes.  Expecting to see a group of well-dressed Englishmen, they were surprised and perhaps a little disconcerted to find that, if anything, we were scruffier than they were.”

1951 Everest Reconnaissance Team: (clockwise from left) E. Shipton, W.H. Murray, T.D. Bourdillon, H.E. Riddiford, E.P. Hillary, M.P. Ward.

1951 Everest Reconnaissance Team: (clockwise from left) E. Shipton, W.H. Murray, T.D. Bourdillon, H.E. Riddiford, E.P. Hillary, M.P. Ward.

Moving along broken trails, crossing raging rivers on rickety bridges, suffering through the tail-end of monsoon season and all its attendant miseries of rain, mud and leeches, the team made the first walk-in to what would later become the world’s busiest (and filthiest) camp site: Everest base camp.

In his autobiography my father wrote: “I was continuously amazed by the stark beauty of the mountains and by the steepness and incisiveness of their faces and ridges.  The sherpas always rejoiced in the beauty of their country and though I thought this might be a case of special pleading, the three days’ walk up to the foot of the Khumbu glacier represents one of the most memorable experiences that I have ever had.”

Thyangboche Ama Dablam

They passed by the monastery of Thyangboche, at 12,000 feet standing as gaunt (if not as precipitously) as the monastery in Powell and Pressburger’s hallucinatory Himalayan fantasy, Black Narcissus.

Movie mountains and monastery...

Movie mountains and monastery…

Looming over Thyangboche monastery is one of the most spectacular mountains in the world, Ama Dablam: ‘Ama’ meaning mother, and ‘Dablam’ meaning the locket in which Sherpa women keep their valuables.

“A gigantic tooth, rearing into the sky”, wrote my father, “it dominated the monastery and the whole area, its upper wedged-shaped ice slopes serrated by the wind and glistening in the sun.  The lower part spread out massively into knife-edged black rock-ridges.  This was without question the most staggering of all the peaks that I had ever seen”

Ama Dablam Thyangboche use

… the Real Thing.

My dad would return to the mountain during the pioneering Silver Hut expedition of 1960/61, when a team of climber scientists would live a whole winter at an altitude of over 19,000 feet, performing high altitude research.  He would lead a successful first ascent of Ama Dablam, but not without incredible drama along the way.  Near the summit, a sherpa fell, breaking his leg.  Being so high on such a tricky technical route, all ice and precipices, this could have been a death sentence.  Instead my dad got him down safely by trussing him up like a chicken, then carrying him down vertical rock and ice faces in relays with other team members — one climber with the sherpa on his back would descend, unable to look at his feet, while his companion would physically move his feet from one toe-hold to another.

But now, here, in the shadow of Ama Dablam, poised on the edge of this pioneering adventure in their own Shangri-la, these last true explorers of the British Empire paused and looked towards the distant bulk of Everest, a conglomeration of peaks whose huge mass dwarfs everything around it.

Ama Dablam Thyangboche large

The Everest group, upper left, (with snow plume coming off the distant summit), with Ama Dablam (right), looming over Tyangboche monastery barely visible on the ridge in middle of photo.

Above the sheer wall of Lhotse peaks the distant summit – swept almost black by the wind — barely visible as it claws at the dark blue of space like some vast volcanic spur of alien rock.

“Walking, as I had that day, straight towards the Everest group of peaks”, my father wrote, “I had been overwhelmed by the sheer audacity and steepness of the more immediate mountains that seemed to hang over my head.  In the distance I could just see the top of Everest peeping over the nearer wall formed by Everest and Lhotse, which never seemed to get closer.  The crest of the Everest-Lhotse wall, 25-26,000 feet, towered at least two vertical miles above my head.  At its base were rock pinnacles and snow humps of 21,000 feet which on their own might have been considered peaks, yet in this setting appeared insignificant.”

Everest from Kalar Patar

Everest from Kalar Patar

They arrived at the foot of the Khumbu glacier, “a horrible maze of ice lumps, and covered in unstable stones.  To carry loads up this way was to have a glimpse into purgatory.”

Khumbu glacier 1953

They were at the gateway to the Western Cwm, a massive snow valley which swept upwards towards the steep Lhotse face that led up to the South Col, the inhospitable staging-post from which the summit attack could be launched.  Two years later, it was the struggle to ascend this 4000 ft. wall to the South Col that would almost be the undoing of the British attempt on the summit.

LhotseFace2

But now, between them and the Cwm, lay the daunting obstacle of the icefall.

khumbuIcefall

It was decided they were not all fit enough to tackle this yet, so they split up to scan this massive complex of constantly shifting ice towers and crevasses from neighbouring peaks and slopes.

During the following days my father embarked on the type of exploratory mountaineering — walking and climbing off the map, if you will — that was to become his passion for the rest of his life.

ericshipton1951

Eric Shipton and Reconnaissance Party, 1951

“This was my first taste of mountain exploration and I was fascinated by the mystery of penetration into unknown country.  The disciplines and margins of mountain travel are as absolute as those of any scientific subject….  The uppermost feeling was an intense curiosity to see what the next bit of country looked like.”

Everest 2 climbers 1951

1951 Reconnaissance

“The urge to go on and on, continually finding out what is round the corner or over a pass, together with the pleasure of seeing it all fit in place, like a giant’s jigsaw, became to me one of the most fascinating aspects of mountaineering, and this was my first experience of it.”

gregory_alfred-expedition_tents_mount_everest~OMcbd300~10417_20120722_319_696

The team reconvened at the base of the icefall, fully aware of the considerable danger that awaited them from hidden crevasses and flash avalanches that swept through its icy terrain.

Everest 1951 pass

But they were determined to break through to the Western Cwm, to look up through its snow fields towards their eventual goal.

Icefall 1951

(l.-r.) Everest, Nuptse, Lhotse, with Icefall, 1951

In the movie of this moment, these men look down the valley which leads back to Thyangboche, last outpost of civilization. They turn and look at each other, channeling craggy Sam Shepard in “The Right Stuff”  as he eyes his experimental jet-plane with a view to breaking the sound barrier. In silence the decision is made. They hoist their rucksacks, grab their ice axes, and turn into the wind.

Moving off, they disappear into their map’s white empty spaces, and the cold embrace of the icefall.

Sunset_Over_Everest_from_Tengboche

This is Part 1 of a three-part series of reminiscences about my father’s role in the historic expeditions to climb Mt. Everest.  You can read Part 2 – “My Dad, the Yeti, and Me” here, and Part 3 – “My Dad on Everest and Beyond”, here.

The System IS the Enemy ( REVIEW of “The East” )

The East poster 2

There is a long and noble line of movies depicting an ever-inward, ever-outward spiraling corruption that threatens to engulf all who wander into its lethal coils.  Outstanding examples include the great Alan J. Pakula’s “The Parallax View” and “All the President’s Men”, Sidney Lumet’s “Prince of the City”, and Francesco Rosi’s “Illustrious Corpses”.

Japanese poster for "Illustrious Corpses"

Japanese poster for “Illustrious Corpses”

The jokey version of the genre includes the hilarious “The President’s Analyst”, in which the uber-villain turns out to be a sub-S.P.E.C.T.R.E version of Ma Bell (that’s AT&T to you).  Of course in 1967 the notion that a phone company had designs on world domination was inherently ridiculous.  Who knew?!

the-presidents-analyst-movie-poster-1968-1010515396

Into this tradition slips “The East”, and it reinvigorates the familiar tropes by plunging head-first into the polluted waters of today’s corporate industrial and capitalist complex – waters that are here polluted literally, figuratively and, above all, morally.  The East is a home-grown cell of eco terrorists, carrying out a series of high-concept “jams” against companies whose products and by-products are maiming and killing us.  Sarah (Brit Marling in a finely shaded and riveting performance) is sent undercover to bring them down — not by the FBI, but by a shadowy private intelligence firm every bit as ethically compromised as the companies it is protecting.  This is a nice twist – the film posits that the real power in the land lies not with the government,  but with the corporations it is supposed to regulate.  Regulate be damned!

Britt Marling The East 1

Of course, Sarah finds her own internal compass – emotional, spiritual, and ethical – seriously tested as she starts to see the virtue of The East’s case.  It also doesn’t hurt that the terrorist’s leader is a low-key, charismatic John the Baptist/Jesus-figure (complete with requisite hippie hairdo, facial hair and hair-shirts) played by the excellent Alexander Skarsgârd, with a fondness for pulling total-immersion baptisms on his eau naturel disciples.  No prizes for guessing who turns, and who turns out to be his Mary Magdalen, picking up where he leaves off.

Marling:Skarsgard

It’s always a treat to see a movie without knowing anything about it beforehand, which was the case when I stumbled into an advanced screening of “The East”.  With no preconceived notions, a film really has to stand on its own two feet from frame one.  “The East” not only does this handsomely, but also rolls up its sleeves and digs deep into the moral morass of its subject-matter.

the-east-brit-marling-tall

At the Q. and A. afterwards, the articulate film-makers talked about how they were inspired by their sense that the system is completely broken, and their experiences living on the road with those the system labels as drop-outs.  Their film deftly avoids Hollywood cliché as it forces the viewer to confront the possibility that these so-called anarchists, terrorists of the status quo, might have a point.  This tense examination of moral, and immoral, equivalency in modern America is at its most potent in the scene where the most passionate of the group, played by Ellen Page, confronts her estranged CEO father, forcing him to take a bathe in the polluted creek he has created to serve the Mammon god of profitable fossil-fuel independence at any price.

Britt Marling:Ellen Page

Co-writers Brit Marlin and director Zai Batmanglij (who also directs “The East” with the steady hand of a veteran) made a stir at Sundance with their debut feature, “Sound of My Voice”.  “The East” has the backing of Scott Free, the production company of Ridley and Tony Scott, which is quietly putting its money behind a slew of excellent TV and features with adult, often political, subject matter; as the film-makers said last night, the boomers are the original radicals (at least the ones who haven’t got us into the knotty mess that The East is trying to detonate rather than untangle).  A ripple of solidarity swept through the boomer-heavy audience.

Members of The East

But “The East” belongs primarily to the generation of 20 and 30-somethings who are going to have to find a way to change the system before it changes us, and our planet, irrevocably – and not for the better.  Its distributor, Fox Searchlight, cannily understands this, and is rolling the film out in a campaign of campus screenings before it hits theatres at the end of the month.  I hope “The East” finds the wide audience it deserves.  It is a far superior foray into these tricky thematic waters than Gus van Sant’s “Promised Land” earlier this year, which never could quite figure out which story it was telling. It’s a powerful and welcome reminder that bringing political engagement, idealism and intelligence to a film does not preclude the possibility of a taut, entertaining thriller, and good box office to boot.

Brit Marling The East 2

Here is the most recent trailer:

STILL ‘FATALE’ AFTER ALL THESE YEARS ( “The Last Picture Show” Returns )

Cybill Shepherd 3

Paul Simon wasn’t there (but he should have been) to gently coo the adjusted lyric to his classic song “Still Crazy After All These Years”, as Cybill Shepherd — the femme fatale in question — took her bow on the stage of the Samuel Goldwyn Theatre at the Academy of Motion Picture Arts and Sciences in Beverly Hills.  The occasion was a sold-out screening of The Last Picture Show, celebrating the 40th anniversary of a modern American classic.

The Last Picture Show poster

No, not director Peter Bogdanovich’s movie — or at least that’s not how it was starting to seem at the Academy that night.  No, we were here to revisit another Hollywood classic: the director’s notorious on-set extra-marital affair with his leading lady, carried on under the nose, literally, of his wife and creative collaborator, Polly Platt, who was also the film’s production designer.  Hollywood, like the elephant it is, and all protestations to the contrary, never entirely forgets sins a little too close to hearth and home.

Polly Platt with her husband Peter Bogdanovich and daughter.

Polly Platt with her husband Peter Bogdanovich and daughter.

The affair ended her and Peter’s marriage, and was the scandal of the day.  And now, forty years on, it was almost as if no time had gone by, no water had flowed under the bridge, as cast members pointedly teased and taunted Bogdanovich and Shepherd about their off-screen shenanigans all those years ago.  Clearly “The Last Picture Show starring Pete and Cybill” still got the thumbs-down.

Who needs marriage anyway?

Who needs marriage anyway?

The evening had started out as a more conventional anniversary celebration of one of the best American movies the 70s have to offer, with a gorgeous, newly struck print and the presence of cast and crew luminaries, but by the end of the Q&A the only thing anyone (cast and director included) was talking about was how Miss. Shepherd was still getting it done.  By getting it done, I mean getting her co-stars all riled up about those far off days of high jinks, and still looking so hot that her director seemed about ready to melt into his younger self (and Cybill) right there and then on the stage of the Samuel Goldwyn Theater. And could we blame him?  I mean, Cybill — damn!

Cybill Shepherd 4

Of course we’d all caught the fever from the movie we’d just watched, which portrays the sexual fumblings and tumblings of a 1950s small town citizenry as the last gasp of lives and of a town – of a picture show – that were all essentially over long ago.  It’s just that the inhabitants don’t yet fully grasp the fact of their own obsolescence, and keep going through the motions anyway.  This is a place where watching movies and getting laid are the only escape from the inexorable, slow-motion death of hope. Maybe we’re not so far from Beverly Hills after all…..

The only picture show in town.

The only picture show in town.

Film companies out on location are like two years of high school crammed into a couple of months.  The intensity of the work, the long hours, the isolation and distance away from hearth and home combine with flammable egos and jacked-up emotions to create a unique petri-dish of carnal possibilities.  It was probably inevitable that the film’s makers would be drawn into the vortex of lust games they were laboring to capture onscreen. To judge from its effect at the Academy on that night four decades after the shooting, the film hadn’t lost any of its power to combust and discombobulate.  By the time the lights came up, the air was heavy with a potent mix of melancholia and yearning for lost innocence, combined with that musty, close aroma you get in a basement where a bunch of teenagers have been heavy petting all night.

How uniquely Hollywood, I thought, as the director and cast members variously ambled, staggered, and stumbled onto the stage.  Here they are, our stars of the movies, destined always to be confronted by these giant images of their own eternal youth and erotic angst, alive but also embalmed up there on the silver screen.  Yet each day, every day, looking into the mirror — that other silver screen — they must bear witness to their present, mortal, in some cases almost unrecognizable, selves, the fragments and remains of those same immortal images up on the bog screen.  Alive, “live”, in the flesh, but now being photographed and filmed again for the Academy archives, they have lived long enough to become archives for the archives.

At the Academy  (clockwise top l. to r.: Bogdanovich, Shepherd, moderator Luke Wilson, Eileen Brennan, Timothy Bottoms, Cloris Leachman)

At the Academy (clockwise top l. to r.: Bogdanovich, Shepherd, moderator Luke Wilson, Eileen Brennan, Timothy Bottoms, Cloris Leachman)

You go to one of these Academy get-togethers and it’s like finding yourself sitting next to both Dorian Grey and his portrait at the High School reunion dance.  What a dilemma.  Which one is real? Who do you take out onto the floor for a spin?  The young beautiful one with skin like warm silk, who promises to reconnect you with your idealized younger self; or the one sitting in film-noir shadows, his deep eye-wells of experience daring you to dance with him into the dark, and beyond?  It’s the kind of situation or dilemma that is compelling, fascinating, a little unsettling, and absolutely one of the reasons why I love living in L.A., because this kind of weirdness is going on all the time.  It’s what powers this town: the primal energy derived from protons of illusion gun-barrelling towards nuclei of reality.

The other thing that is clearly going on all the time is Cybill Shepherd, who sweeps down through the audience and onto the stage like she has a story to tell.  And boy does she tell it!

"Pussycat! Pussycat....!"  Lolita eat your heart out.

“Pussycat! Pussycat….!” Lolita eat your heart out.

Notions of the passing of the years softening her libido, or of her youthful indiscretions being a thing of the past be damned.  Cybill looks about ready to pick up right where she left off on that diving-board 40 years ago, awkwardly stripping down to her panties in front of a room of drooling teenagers, then casually flinging her last shred of modesty to the waiting pack of celebrity watchers before plunging into stardom and beyond: the black hole of fickle fandom.  And the Academy audience, already plugged-in and jacked-up on its two-hour, black-and-white make-out session, is primed and ready to wave her into home base.

So Cybill marches up onto the stage and sits right next to Peter Bogdanovich — naturally.  She gives him that “You know I’m still a gorgeous movie-star, don’t you?” look, straight in the eye:  “Go on.  I dare you”.

Bogdanovich directing his star - and lover - on set for "The Last Picture Show"

Bogdanovich directing his star – and lover – on set for The Last Picture Show

You can feel the tension ripple through the cast — naturally, for this was the woman who destroyed the life of their friend and colleague, remember, with sex.  Young sex.  Young blonde sex.  The room goes quiet.  We’re all teenagers back in that swimming-pool, waiting for the blonde in her skivvies to prove she’s the real deal. Is she really going to do it?  Is she really going to take it all off?

Lights!  Camera!  ACTION!

Cybill Shepherd strip