JAMES EARL JONES REMEMBERS ( Filming “THE COMEDIANS” with Richard Burton, Elizabeth Taylor, and Alec Guinness )

The Comedians - table scene

Long before he provided the ominous tones for Darth Vader and created the most iconic-sounding villain in screen history, James Earl Jones made his mark in a number of major productions of stage and screen. It was his role in Jean Genet’s groundbreaking play The Blacks, first staged in New York in 1961, and running for a record-breaking 1408 performances, that led to one of his most memorable early film experiences.

James Earl Jones and Cicely Tyson in The Blacks

James Earl Jones and Cicely Tyson in The Blacks

Polish poster for The Comedians

Polish poster for The Comedians

Peter Glenville

Peter Glenville

Peter Glenville, a leading British director of the time who had closely collaborated with Graham Greene and Tennessee Williams, was looking for a number of black actors to take roles in his forthcoming film of Greene’s The Comedians, set amidst the turmoil of ‘Papa Doc’ Duvalier’s Haiti.  Going to The Blacks, which was one of the top off-Broadway hits of the decade, Glenville was presented with an embarrassment of acting riches.  Jones was not the only one to be cast in the film as a result of his performance in the play: joining him were Cicely Tyson, Zakes Mokae, and Roscoe Lee Brown.  Also in the film was a young Gloria Foster, who later made a mark as the Oracle in the first two Matrix pictures.

Jones and Zakes Macae

The-Comedians James Earl Jones

For Jones, working on The Comedians was memorable both on, and off, screen. For rarely can a young actor have found himself spending time with such a luminous A-list cast: Elizabeth Taylor, Richard Burton, Alec Guinness, Peter Ustinov, not to mention the legendary star of silent pictures, Lillian Gish.

Peter Glenville with the cast of The Comedians

Peter Glenville (c., standing) with the cast of The Comedians

A few years ago I produced an oral history of the life and work of Peter Glenville, and James Earl Jones kindly agreed to share his reminiscences with Susan Loewenberg, Producing Director of L.A. TheatreWorks, who commissioned the history on behalf of the Peter Glenville Foundation.

Peter Glenville directing Ustinov and Taylor

Peter Glenville directing Ustinov and Taylor

The segment about The Comedians was my favorite, enlivened by Jones’s commentary, his extraordinary presence, and that voice. (In a technical sidebar, that voice was so resonant with bass frequencies that the engineer had quite some trouble recording it without distortion).

Jones and Burton

Now you can enjoy his story too……

Narrator: Martin Jarvis.  Voice of Peter Glenville: Simon Templeman.

James-Earl-Jones-001

 

 

THE RIME OF THE ANCIENT MARINER ( Full Dramatization )

rime of the ancient mariner title

Directed and Produced by Mark Ward for WBUR-FM and NPR Playhouse.

Engineering by Rick Wolff.

Starring BRIAN WAY as the Ancient Mariner, and ROBERT REAMES as the Narrator. Also starring PAYMAN K., RONALD GOLDMAN, and LEILA SAAD. Introduced by MARK SCHILLING and FRAN McQUADE.

You can listen to the full radiophonic dramatization of The Rime of the Ancient Mariner here —

or here —

(If the player fails to load, you can follow this link, from which you can also DOWNLOAD the program).

You can read about the making of this dramatization here.

The following are selected illustrations by Gustav Doré from the 1876 edition, with one illustration by Mervyn Peake.

Frontispiece of 1876 Edition

Frontispiece of 1876 Edition

"It is an ancient mariner, And he stoppeth one of three..."

It is an ancient Mariner,
And he stoppeth one of three.

"The guests are met, the feast is set: May'st hear the merry din."

‘The guests are met, the feast is set:
May’st hear the merry din.’

"The bride hath paced into the hall...."

The bride hath paced into the hall….

"And now the storm-blast came, and he Was tyrannous and strong...."

And now the STORM-BLAST came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

"And now there came both mist and snow, And it grew wondrous cold...."

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

"The ice was here, the ice was there, The ice was all around..."

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

"The Albatross did follow, And every day, for food or play, Came to the mariner's hollo!"

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

"With my cross-bow I shot the albatross."

With my cross-bow
I shot the albatross.

And I had done a hellish thing, And it would work 'em woe: For all averred, I had killed the bird That made the breeze to blow. Ah wretch! said they, the bird to slay, That made the breeze to blow!

And I had done a hellish thing,
And it would work ’em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

"We were the first that ever burst Into that silent sea...."

We were the first that ever burst
Into that silent sea.

"Water, water everywhere...."

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

"And some in dreams assurèd were Of the Spirit that plagued us so; Nine fathom deep he had followed us From the land of mist and snow.

And some in dreams assurèd were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

mariner with dead albatross

Instead of the cross, the Albatross
About my neck was hung.
(Drawing by Mervyn Peake)

"The games is done. I've won! I've won!"

The naked hulk alongside came,
And the twain were casting dice;
‘The game is done! I’ve won! I’ve won!’
Quoth she, and whistles thrice.

One after one, by the star-dogged Moon, Too quick for groan or sigh, Each turned his face with a ghastly pang, And cursed me with his eye. Four times fifty living men, (And I heard nor sigh nor groan) With heavy thump, a lifeless lump, They dropped down one by one.

One after one, by the star-dogged Moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.
Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

'I fear thee, ancient Mariner! I fear thy skinny hand! And thou art long, and lank, and brown, As is the ribbed sea-sand.

‘I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.’

The moving Moon went up the sky, And no where did abide: Softly she was going up, And a star or two beside—

The moving Moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—

Beyond the shadow of the ship, I watched the water-snakes: They moved in tracks of shining white, And when they reared, the elfish light Fell off in hoary flakes.

Beyond the shadow of the ship,
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

And the coming wind did roar more loud, And the sails did sigh like sedge, And the rain poured down from one black cloud; The Moon was at its edge.

And the coming wind did roar more loud,
And the sails did sigh like sedge,
And the rain poured down from one black cloud;
The Moon was at its edge.

Around, around, flew each sweet sound, Then darted to the Sun; Slowly the sounds came back again, Now mixed, now one by one.

Around, around, flew each sweet sound,
Then darted to the Sun;
Slowly the sounds came back again,
Now mixed, now one by one.

How long in that same fit I lay, I have not to declare; But ere my living life returned, I heard and in my soul discerned Two voices in the air.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

A little distance from the prow Those crimson shadows were: I turned my eyes upon the deck— Oh, Christ! what saw I there!

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat, And, by the holy rood! A man all light, a seraph-man, On every corse there stood.

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

The boat came closer to the ship, But I nor spake nor stirred; The boat came close beneath the ship, And straight a sound was heard.

The boat came closer to the ship,
But I nor spake nor stirred;
The boat came close beneath the ship,
And straight a sound was heard.

Under the water it rumbled on, Still louder and more dread: It reached the ship, it split the bay; The ship went down like lead.

Under the water it rumbled on,
Still louder and more dread:
It reached the ship, it split the bay;
The ship went down like lead.

I pass, like night, from land to land; I have strange power of speech; That moment that his face I see, I know the man that must hear me: To him my tale I teach.

I pass, like night, from land to land

I have strange power of speech; That moment that his face I see, I know the man that must hear me: To him my tale I teach.

I have strange power of speech;
That moment that his face I see,
I know the man that must hear me:
To him my tale I teach.

He prayeth best, who loveth best All things both great and small; For the dear God who loveth us, He made and loveth all.

He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all.